15 May 2015

Happy Post-Mother's Day

As I delve deeper into the world of paper arts, I continue to discover the coolest stamps and dies, inks, papers and embellishments. Marcella Hawley, the designer at Power Poppy, does a real number on florals: romantic, not too cute, and ... just my style. My cousin Gabriel brought Mom a lavish bouquet of lilacs -- a rare treat -- for her birthday this past April Fool's Day. When I found Marcella's "Lilac Time" stamps, I knew I had a perfect combo for a Mother's Day card.
Mother's Day coincides with Lilac Time!
Power Poppy has challenged the community to "fussy cut" around some designs and add them to a card, altered art piece, scrapbook page or art journal. I'm In!! I doubled up some of the smaller bloom stamps and used them on the same ribbon that bound Mom's bouquet. Plus stuck that same piece onto the major bouquet at center. Fun! I like the way it pushes the edge of the central bouquet, but in a subtle way.
"Fussy Cutting" stamped motifs can be ... erm, meditative! That's the word!

On the smaller element that says "Mother's Day Wishes," top image, I tried an old technique that's new to me: using a paper napkin as a printed paper layer on cardstock. I used the simple, basic technique of separating the napkin down to its colorful design base, and gluing it down on cardstock using acrylic Gel Medium. Check You Tube for tons of other ways to transfer napkins to paper, fabric and more.

I hope you all had a great day on Mother's Day.
I'd like to enter this card into the following challenges:
Power Poppy, Cut It Out!
Craft-Dee Bows, Anything Goes (Handmade Bow)
Simon Says Stamp Wednesday Challenge 
Word Art Wednesday
Craft Your Passion: Anything Goes
Stamping Sensations: Flower Power
Creative Fingers: Anything Goes



12 April 2015

Today's Art Class: Pastels and the Renaissance!

Today was my second art class at San Diego's Museum of Art. It's a great series, super reasonable (okay, cheap) and very worthwhile. We studied several paintings with the excellent docent Dianne, who led us from the medieval through the Renaissance and into the modern, in only 5 galleries (only spotlighting one or two paintings in each). We spent a litte more time in the first gallery, the Italian Renaissance. I learned so many new things! Gosh, given my bad hip, how I wished I'd signed up for a docent training at the Museum instead of Torrey Pines State Natural Reserve. I digress.

After observing the changes in styles of painting and materials (Tempura!!!) we headed down to the Museum's art workshop: a fantastically organized yet artistically grungy place of brushes, paints, sinks, and lots of roomy tables. Each one had a vase of sunflowers upon it. (Ours was a little droopy.)

First, instructor Susan Roden, an expert artist in the pastel medium, had us do a quick sketch out of what view we saw of the sunflower arrangement. She had us use a blue pastel for the quick, "gestural" sketch, and then a white for any highlights we noticed in the glass jar, etc.

Then we went to color, finding a background by quickly using the sides of broken chalks to color vast areas. Then, more and more layers ...

Here's my Gestural and "finished (not quite) "painting" not quite). I'm very fond of gestural. Let's just leave it at that.
On right, my first, quick sketch to "solve Problems." On left, I added many "Problems!"



This was not quite my first experience with pastel, although this other technique used a monochrome style and Caran d'Arche pastels that only come in like, four colors. Similar to the stuff Leonardo used, I guess. Anyways, this first one I did remains a favorite: I was lucky enough to study with our local great, Anette Paquette, who takes us all to the Zoo (and we try gestural sketches doing monkeys in flight: yeah, right! maybe monochrome is meant for me!
Warthog Love (just kidding) but it's one of my few "loves" of my art
Sorry for the poor lighting, but it's night and I just wanted to get this post up.

finally, here is one of our teacher's works: She's awesome, in every sense of that overused word:
Deep 4, by pastel artist and teacher Susan E. Roden
Oh, and most finally, several students felt the medium wouldn't be something they'd be returning to, so gave me their chalks!
A limited palette, but I will become the Sunflower Queen of the World!
Maybe I can work on that second "painting" a bit and incorporate Susan's excellent advice. Pastels are a notoriously difficult medium but I would like to put some work into it and see what comes up. Oh, and don't go to the Facebook Pastels group unless you want to just ... die of intimidation! ;)

Hugs, Tina in San Diego

Happy 97th, Mom

I'm determined to try more new techniques this year, especially with paper arts. So I tried a form of paper "dyeing" using shaving cream and alcohol inks. The butterfly was die-cut using one of my more successful marbled papers.

To simplify, you drop drops (in this case, of alcohol inks) into a flat pan (think baking pan) of piled up shaving cream (think Dollar Store). Then you take combs or chop sticks and swirl it all around. Until it reminds you of grooving to that special album back in '68. 

Finally, lay the paper on top and press gently for a minute or two. Let dry. Try it on different papers you have: vellum, watercolor paper, textured paper like mulberry, ultra-smooth paper made for Copics pens ... and even cheapo-copy paper. It's all different, and lots of fun.

Happy 97th, to a wonderful, inspiring Mom!
If you've ever opened an antique book and marveled at how cool its endpapers look, perhaps you were looking at marbeled papers, commonly used on the inner front and end covers in finer books back in the mid-19th to early 20th centuries.
You can also marble fabrics. Maybe wood. Maybe anything. I digress.

Card Recipe: size: 6 1/2" x 5"
Backing Paper: Gypsy Sisters Collection, Kaisercraft
Butterfly die-cut: self-marbled paper using Ranger Alcohol Inks
Die: Tim Holtz for Sizzix Butterfly #2
Lace die-cut: Martha Stewart Doily Lace Trim Double-edge Punch, using the paper below :
DCWV Glitter Stack, pink
Glitter accents: Copper Stickles, by Ranger
Sentiment Stamp: Autumn Leaves Stampology: Between the Lines (check Ebay) oop

Vellum by Recollections, embossed in Gold
Ink: Ranger Distress Ink in Peacock Feathers for Sentiment; Card Edged in Picked Raspberry
Gold Die accent: Spellbinders Majestic Elements Adorning Squares
Aqua star beads on Gold Die accent

I'd like to enter this card into the following challenges:
Quick Quotes: Celebrate Something!
Power Poppy: Pop! of Pastel 

I hope you're having a Spring in your urge to create, whatever your art form may be!